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Something, Maybe Personal zagreb dance company
in cooperation with teatar &TD
choreographer: Snježana Abramović
dramaturge: Saša Božić
set and light designer: Branko Cvjetičanin
costume designer: Dženisa Pecotić
music: Hrvoje Nikšić and Sven Pavlović
performers: Darija Doždor, Ana Krajtmajer, Zrinka Lukčec, Andreja Široki, Branko Banković, Ognjen Vučinić
artistic director of Zagreb Dance Company: Snježana Abramović
technical director: Tomislav Svetić
sound engineer: Branko Vodeničar
light engineer: Mario Vnučec
assistent to costume designer: Emina Tataragić
costumes made by: Marija Fiket, Edo Paklec
shoes made by: Milan Plavša
hair and make-up: Gordana Kovač-bbk
executive producer: Blaženka Kovač-Carić
promotion: Stela Telebuh-Stazić
text by: Saša Božić
photographer: Jasenko Rasol
translation to english: Mirna Čubranić
poster and booklet design: Vanja Cuculić/Clinica
the project has been realised with the help of the City Office for Culture and The Ministry of Culture of the Republic of Croatia, 2003
In the form of a dance production for six dancers, we are asking the following questions: how can you retell something private, autobiographical? What does it mean to analyze the events of your own experience through somebody else? How does one's body remember it's own autobiographical moments, and how does it reproduce those of another?
The doubt - that the totality of one man's emotions, memories and sensations can never be available to somebody else, because it is not available to him/herself - is explored through sharp sketches representing banal human relationships on the verge of the absurd, witty, surreal...
Still, the emphasis is on the dance experience improvised from the given human disharmonies...
Fragmentation and onyric iconophilia are the reflection of the choreographic intuition in the restructuring of her own little histories...
Choreographer' s note: the performance is divided into 9 images that are not necessarily connected: pieces of memory, or flash- backs, but also reveries. Those moments of being when we dream awake or see through events differently .But I would call it my personal, not” distorted” world view. To permit oneself the possibility to be one` s own self, even to be different, as we all are; to see things in your own way; to dispose of your lifetime as you see fit…We should also freely waste it on our own fancies and desires…We should also uselessly wait in the name of something only we
believe in.
scenes:
dream
everyday life
waiting
obsession
high-heels
fly me to the moon
dreamtwo
tango
epilogue: anxious flamenco
Dedication: This show is dedicated to my yearning, my phantasies and the man I'm still waiting for. (Snježana Abramović) |
